SIDE A - price tag, fingerprints on rim, hand written alphanumeric code on runout area "ZEDD-12035", scratch 2:00, 4:10, skipping 5:51

Side B - sticky stain (beer?) causing periodic thumping, skip 4:13 (probably sampled there)

mold: silicone, base: plaster and sisal fibre,
cast: urethane resin smooth-cast 320 beige

some air bubbles audible
resin picks up tons of dust
what else can be used as cast? 

markings that collapse time, seeing full duration at once, what do densities convey? can a needle read these diagrams? when the eye reads record grooves, what do they look like? is there a graphical relationship between recorded sound and the movements it invokes?

< William Forsythe "One Flat Thing Reproduced" aerial mapping of position of dancers on stage over duration

Morgan O'Hara live transmission drawings >
done with multiple pencils in each hand, creates density where movements are heavy and forceful, recording gesture rather than position in space

live transmission vs ouija board? what makes you move
Below: scratched mirror experiments based on Danceteria footage, live transmission

A scratched mirror is a window

THE REVISIONARIES